Romeo Castellucci - Societas, Il terzo reich (ph. Lorenza Daverio)
Romeo Castellucci / Socìetas

The Third Reich

26 and 27 Semptember 2023, 19.00 and 21.00 pm

Potenza, Il Piccolo teatro | Cesam

8 euro / reduced 6 euro [buy online]

Duration: approximately 50 minutes. Repeatable. The installation features high-volume audio and high-frequency images that are not recommended for people suffering for epilepsy, heart disease and photosensitive people. The installation is not recommended for children under 12 years of age.

By Romeo Castellucci. Sounds by Scott Gibbons. Choreography by Gloria Dorliguzzo. Interpretation Gloria Dorliguzzo. Video making Luca Mattei in collaboration with Giulia Colla. IT consultancy Alessandro Colla. Production Benedetta Briglia. Promotion and distribution Gilda Biasini. Production and tour Caterina Soranzo. Technical direction Eugenio Resta. Technical manager on tour Claudio Tortorici, Andrea Sanson. Production Societas. Photo © Lorenza Daverio.

This video-installation is based on a spectral representation of all names. All the nouns found in the Italian dictionary (and then translated in other languages) are projected, in a sequence, one by one, onto a giant screen.
These nouns potentially represent all objects in reality that have a name. The speed of this sequence is given by our ability,
based on our retina and our memory, to retain a word that appears in a flash, lasting one twentieth of a second. This constricts our gaze, which soon reaches a tipping point where a fusion occurs, just before our perception loses its grip. In the resulting flicker, it is no longer possible to distinguish the single terms. In the borderline situation created by this frenetic series of words, some of them will leave a trace on each spectator’s visual cortex, while others, the majority, will be lost. The spectator, defenceless when treated in this way, is subjected to the human word, as a matter of quantity. Not what, but how much. This furious bundle of nouns leaves no room for choice nor discernment. The nucleus of language returns to white noise, which leads to chaos.
The Third Reich is the image of an imposed, obligatory communication, whose violence is matched by its claim to equality. Here, a language-machine depletes entire spheres of reality, as the nouns are all the same, mechanically mass-produced, like prefabricated buildings in a knowledge that leaves no room to escape.
All pauses are abolished, occupied. The pause, or the absence of words, becomes a battlefield for the words and their military aggression; the nouns from the dictionary, projected on the screen, are flags planted in a conquered land
The projection will be preceded by a symbolic action in which a performer brings to life a ceremony in which language is “ignited”. The sound that accompanies the installation, composed by Scott Gibbons, will be apodictic.

Romeo Castellucci. Director and stage, lighting and costume designer Romeo Castellucci (Cesena, Italy, 1960) is known throughout the world for creating a theatre founded on the totality of the arts and aimed at an integral perception. He has also written various theoretical essays on directing. His theatre engages in a type of dramaturgy that overturns the primacy of literature, thus becoming a complex and supple form of art, a theatre made of extraordinarily rich images expressed in a language as comprehensible as music, sculpture, painting or architecture. His stagings are regularly invited to and produced by the most prestigious international theatres, opera houses and festivals, in over fifty countries covering all the continents. Among his most recent creations: The Minister’s Black Veil inspired by Hawthorne’s parable (2016), Jeanne au bûcher by Arthur Honegger (2017), Democracy in America freely inspired by Alexis de Tocqueville (2017), Tannhäuser by Richard Wagner (2017) and Salomé by Richard Staruss (2018). Triple award received for the 2018-19 season by Romeo Castellucci for Salomé from the "Oscars" of European Opera, a survey by the German magazine Opernwelt among fifty international music critics: Award to Romeo Castellucci for "Best Show", "Best Director Award", "Best Production Designer Award". At the end of 2018, the project "Un automne avec Romeo Castellucci" sees the presentation of: The magic flute by Amadeus Mozart in La Monnaie, the opening of the History of oil painting exhibition in Bozar and the latest theatrical creation entitled La vita nuova a Kanal- Center Pompidou, performance who questions the collective destiny and art. In January 2019 he made his debut at Opera Garnier in Paris with Il primo omicidio by Alessandro Scarlatti.
Romeo Castellucci is Grand Invité at Milan Triennale for the period 2021-2024. For Opera production in the summer 2022, Romeo Castellucci presented Resurrection by Gustav Mahler at Festival Aix en Provence and for Salzburg Festival Bluebeard's castle by Béla Bartók followed by De temporum fine comoedia by Carl Orff. Teodor Currentzis on the podium and Romeo Castellucci directing. For theater productions, Bros continues the tour with great success.

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